Actress Dolly Bindra: A Luminary Of Talent And Compassion In Indian Cinema
Renowned for her captivating performances, Dolly Bindra has etched her presence across Indian cinema, television, and international shows. #Dubai #Bollywood Her versatility as an actress, coupled with her entrepreneurial acumen and philanthropic endeavors, has garnered widespread acclaim.
Films ,TV roles to her impactful stint on Bigg Boss, Dolly’s warmth and generosity have endeared her to audiences worldwide. Her unwavering commitment to spreading joy and illuminating lives is a testament to her authentic and compassionate nature.
A true icon, Dolly Bindra embodies the essence of integrity, kindness, and talent. Here’s to a star whose presence continues to inspire and uplift.
Actress Dolly Bindra: A Luminary Of Talent And Compassion In Indian Cinema
Vinay Kumar Dubey, Chairman Of VKDL NPA Advisory Council Honoured
Grand आयोजन of DPSA Para Powerlifting Championship in Delhi
Correspondent | Mumbai/Delhi
The Divyang Para Sports Association of Delhi (DPSA) successfully organized the 3rd Senior and 2nd Junior & Sub-Junior Delhi State Para Powerlifting Championship 2025–26 on Saturday, 27 December 2025, at the prestigious Jawaharlal Nehru (JLN) Stadium, New Delhi. The event emerged as a powerful confluence of social commitment and sporting excellence.
On this dignified occasion, Vinay Kumar Dubey, Chairman of VKDL NPA Advisory Council, renowned advocate and member of the Hindi Advisory Committee (Rajbhasha Department), Ministry of Home Affairs, Government of India, was specially honoured. The honour was conferred in recognition of his significant social contributions, active role in financial reforms, and steadfast commitment to nation-building.
The championship was inaugurated in the august presence of Dr. Arvind Menon, National Secretary of the Bharatiya Janata Party, IPS Devesh Srivastava, Special Commissioner of Delhi Police, and distinguished guest Vinay Kumar Dubey.
Addressing the gathering, Dr. Arvind Menon stated that initiatives like Khelo India and Fit India are providing opportunities for every section of society to move forward.
Meanwhile, IPS Devesh Srivastava lauded the courage, discipline, and dedication of para athletes and encouraged them to excel at national and international platforms.
Parul Singh, President of DPSA, said that the championship is a significant step towards strengthening para sports in the national capital.
While accepting the honour, Vinay Kumar Dubey remarked,
“Divyang athletes are the real strength of our nation. Being part of such events and boosting their morale is a matter of great pride for me.”
Notably, VKDL NPA Advisory Council is currently working across the country in coordination with banks to resolve major Non-Performing Asset (NPA) cases. Active in Delhi, Mumbai, and Bengaluru, the organization is helping businesses overcome debt stress and contributing towards the vision of a debt-free India.
Vinay Kumar Dubey’s active involvement in social initiatives has also been widely appreciated. His recent efforts, including the organization of a large-scale Brahmin Convention, cow protection, and various social welfare activities, have established him as a sensitive and people-centric leader.
In political circles, discussions are gaining momentum that if the Bharatiya Janata Party offers him an opportunity in the future—from his native district Pratapgarh (Patti) or his karmabhoomi Mumbai—he may step into active politics.
Following the event, congratulatory messages for Vinay Kumar Dubey have been pouring in from friends and well-wishers across the country.
Vinay Kumar Dubey, Chairman Of VKDL NPA Advisory Council Honoured
Alka Bhatnagar Honored With The Hindustan Ratna At A Grand Ceremony In Mumbai
The 27th Hindustan Ratna Mumbai 2025 Awards Night and Fashion Show, organized under the aegis of Mumbai Global, was held in a grand mega ceremony at the prestigious Elite Banquet Hall in Mumbai. This mega event was organized by Rajkumar Tiwari, CEO of Mumbai Global newspaper, and was attended by numerous renowned personalities from the worlds of film, television, music, fashion, media, social service, and business.
Alka Bhatnagar graced the inaugural ceremony by lighting the lamp.
The event was graced by the presence of Alka Bhatnagar, UP Ratna Awardee. She was designated as a Brand Ambassador of India in the United States by the Government of India to promote Indian music, art & culture globally. She was also honored by President of the United States of America for her excellent contribution of her services in USA.
She served two terms as a Democratic Party Delegate in USA. She has been awarded with numerous National and International awards and the list is endless. She was specially invited to receive this award from USA adding to the grandeur of the event. Through her hard work, Alka ji has promoted and propagated Indian culture, art, and music worldwide.. Alka ji has released numerous albums of bhajans, light/ folk songs, and ghazals available in India and abroad. She has also provided playback music for the films. Her contributions to the field of music are commendable and praiseworthy. Alka Bhatngar ji was specially honored with the International Singer and Hindustan Ratna Award at this ceremony.
Pics :- Ramakant Munde Mumbai
Alka Bhatnagar Was Honored With The Hindustan Ratna At A Grand Ceremony In Mumbai
“CHITTADARSHANI” Art Exhibition By Contemporary Artist Dhiraj Hadole In Jehangir Art Gallery
From: 23rd to 29th December 2025
“CHITTADARSHANI”
Art Exhibition by contemporary artist Dhiraj Hadole
VENUE:
Jehangir Art Gallery
Auditorium Hall
161-B, M.G. Road
Kala Ghoda, Mumbai 400001
Timing: 11am to 7pm
Holding Space: Dhiraj Hadole’s Geometry
Dhiraj Hadole’s work enters the long history of geometric abstraction not through utopian rigidity or formal bravado, but through a quieter, inward recalibration of what geometry can hold within. Where early modernist abstraction like Constructivism, De Stijl, Suprematism, often positioned geometry as a universal language detached from subjectivity, Hadole belongs to a later, more reflective strain of abstractionists that allow structure to coexist with memory, affect, continuity, and care.
His compositions recall the disciplined clarity of hard-edge abstraction, yet they resist its doctrinaire coolness. Unlike the mathematically assertive geometries of artists such as early Bauhaus painters, Hadole’s planes feel lived-in. They are not declarations; they are settlements. The edges meet without aggression, and colour behaves less like a system and more like a mood. This places his work closer to artists who softened geometry through experience, where colour interaction became psychological rather than purely optical, like Josef Albers.
At the same time, Hadole’s surfaces carry an unmistakable emotional register that aligns him with a lineage of felt abstraction, artists who used reduction not to erase feeling, but to distil it. One senses an affinity with quiet grids, where repetition functions as a form of attention rather than control. Hadole treats geometry as a meditative framework, a way to steady the mind rather than dominate it. It is evident in the way he constructs the wood stretcher, and drapes the canvas over it deftly, almost like one was reenacting a childhood memory, shaping it to precision.
The stitched and layered qualities in his work also introduce a material memory absent from classical geometric abstraction. Here, the work quietly diverges from Western modernist purity and moves toward a more indigenous abstraction; one shaped by domestic knowledge, textile logic, and inherited labour. Hadole’s quilt-inspired works situate him within a broader global shift where abstraction absorbs cultural specificity without becoming illustrative of the milieu. The geometry does not reference craft directly, yet it carries its ethics: patience, repair, assembly, warmth.
Emotionally, these works do not aim for expressionism. There is no outburst, no rupture. Instead, they emerge as a feeling that can exist in equilibrium, that care can be structured, that intimacy can be measured without being diminished. This places Hadole in dialogue with post-minimalist sensibilities, where restraint becomes a moral position rather than an aesthetic trick.
What makes Hadole’s paintings quietly radical is their ethics. They insist that stability is not the enemy of life. They argue, without preaching, that a composed surface can still carry intimacy, that precision can still be soft. Dhiraj Hadole’s geometry is not about control for its own sake; it is about building a space where inner turbulence can settle without being forgotten. In that sense, his work aligns with the exhibition’s spirit of Chitta–Chitra: the mind and heart translated into image, not through confession, but through construction.
These are paintings that behave like shelters. They do not shout to be understood. They stay, they steady, and they reward the viewer who is willing to slow down and meet them at their pace.
This show was inaugurated on 23rd December 2025 by Honourable Guests –
Adv. Dr. Kirti Kulkarni :Chief Legal Advisor, MAHAGENCO, Special PP, Bombay High COURT, CLA, MSETCL, Ministry of Energy, Govt of Maharashtra A Panel Adv. MSEB Holding Co. Ltd. Manager Legal, NFDC, Ministry of Information & Broadcasting, Govt. of India, Member, Consumer Court, Mumbai. Asst. Govt Pleader, Writ Cell, Bombay High Court, Mumbai,
Mr. Madhukar Wanjari – Eminent Sculptor
Dr. Narendra Borlepwar – Founder President Aum the Global Art Centre and Aarey Museum, Mumbai,
Amit Shah :Director – Magnifique Décor and Mangal Movements Mumbai
—-Sushma Sabnis Mumbai (December 2025)
https://www.youtube.com/shorts/zrHgAgREL1k
“CHITTADARSHANI” Art Exhibition By Contemporary Artist Dhiraj Hadole In Jehangir Art Gallery
“CHITTADARSHANI” An Art Exhibition By Dhiraj Hadole, Pravin Waghmare, Swapnil Sangole At Jehangir Art Gallery
From: 23rd to 29th December 2025
“CHITTADARSHANI”
An Art Exhibition by Dhiraj Hadole, Pravin Waghmare, Swapnil Sangole
VENUE:
Jehangir Art Gallery
Auditorium Hall
161-B, M.G. Road
Kala Ghoda, Mumbai 400001
Timing: 11am to 7pm
Dhiraj Hadole
Dhiraj Hadole’s work enters the lineage of geometric abstraction not through utopian rigidity or formal bravado, but through a quieter recalibration of what geometry can contain. Hadole belongs to a reflective generation that allows structure to coexist with memory, affect, and care.
His compositions echo the discipline of hard-edge abstraction, yet resist its doctrinaire coolness. The planes feel inhabited rather than imposed; edges meet without aggression, and colour operates as mood. Geometry here is closer to a psychological modulation than an optical one. Reduction does not erase feeling, it distils it. Repetition becomes attention, not control.
Materially, Hadole’s practice departs from modernist purity. The stitched, layered surfaces introduce a tactile memory aligned with domestic knowledge and inherited labour. Quilt-like constructions suggest an indigenous abstraction shaped by patience, repair, and assembly, without slipping into literal craft reference. Cultural specificity is absorbed ethically, not illustrated.
These works propose equilibrium: that intimacy can be measured. In this restraint lies their quiet radicalism. Dhiraj Hadole proves that stability is not the enemy of depth, that precision can remain soft. These are paintings that behave like shelters, steady, composed, and rewarding to those willing to slow down and meet them on their own terms.
Pravin Waghmare
Pravin Waghmare’s art practice emerges from an acute attentiveness to the visual and emotional residues of everyday life. Forms, colours, textures, and fleeting sensations are not treated as passive observations but as active forces that impress themselves upon the artist’s inner self. From this silent accumulation of experience, Waghmare constructs a language of abstraction that is grounded firmly in lived reality.
Although his works appear abstract, they are anchored in the rhythms of the visible world, its pauses, frictions, and reverberations. His surfaces carry a sense of return and response: every encounter, whether with nature, society, or the ordinary mechanics of daily existence, rebounds into the pictorial field. This cyclical exchange lends his compositions a quiet intensity, where colour blocks, fractured planes, and layered textures behave like echoes of perception rather than representations of objects.
Waghmare’s use of colour is deliberate and experiential, functioning as a carrier of emotion. Lines and forms unfold through an intuitive yet disciplined process, reflecting an honest negotiation between control and spontaneity. His paintings offer a sustained meditation on how experience transforms into visual thought. Pravin Waghmare articulates abstraction as a deeply human, perceptual act, one that translates the unsaid into form with clarity and depth.
Swapnil Sangole
Swapnil Vilasrao Sangole’s sculptures are rooted in a rigorous engagement with material, memory, and metaphysical inquiry. Working primarily with stone, he positions sculpture as a site where permanence and impermanence coexist, where time is both resisted and inscribed. Drawing deeply from Indian temple architecture, Sangole distils their structural intelligence, symbolism and spiritual gravity into a contemporary language.
His works reveal a careful balance between solidity and openness. Carved voids, layered planes, and architectural motifs evoke sacred spaces while remaining resolutely abstract. Each chisel mark becomes a temporal gesture, an assertion of continuity that acknowledges rupture. The stone is listened to, negotiated with, and allowed to assert its own agency within the final form.
Sangole’s sculptures function as thresholds between the material and the metaphysical, inviting tactile contemplation. They are not objects of passive viewing but embodied experiences that ask the viewer to slow down and reckon with scale, weight, and silence. In expanding his practice toward collaborative and community-based projects, Sangole further opens it up to collective memory and shared authorship. Ultimately, his work honours the sacred while confronting contemporary realities. Through restraint, precision, and conceptual clarity, Swapnil Sangole affirms sculpture’s enduring capacity to witness, question, and heal.
This show was inaugurated on 23rd December 2025 by Honourable Guests –
Adv. Dr. Kirti Kulkarni : Chief Legal Advisor, MAHAGENCO, Special PP, Bombay High COURT, CLA, MSETCL, Ministry of Energy, Govt of Maharashtra A Panel Adv. MSEB Holding Co. Ltd. Manager Legal, NFDC, Ministry of Information & Broadcasting, Govt. of India, Member, Consumer Court, Mumbai. Asst. Govt Pleader, Writ Cell, Bombay High Court, Mumbai,
Mr. Madhukar Wanjari – Eminent Sculptor
Dr. Narendra Borlepwar – Founder President Aum the Global Art Centre and Aarey Museum, Mumbai,
Amit Shah : Director – Magnifique Décor and Mangal Movements Mumbai
https://www.youtube.com/shorts/CdOI9KaplkQ
“CHITTADARSHANI” An Art Exhibition By Dhiraj Hadole, Pravin Waghmare, Swapnil Sangole At Jehangir Art Gallery
“Age Is Just A Number” — 49 साल की उम्र में शिला जाधव ने सीखा अभिनय, “कच्चे रिश्ते पार्ट 2” से शुरू की नई उड़ान
मुंबई। :कहते हैं सीखने की कोई उम्र नहीं होती, और इसी कहावत को सच कर दिखाया है शिला जाधव ने। जब ज़्यादातर लोग सपनों को उम्र के हिसाब से बाँध देते हैं, तब 49 साल की उम्र में शिला जाधव ने अभिनय की दुनिया में कदम रखकर यह साबित कर दिया कि Age is just a number।
ग्रीन वर्ल्ड मीडिया प्रोडक्शन की हिंदी वेब सीरीज़ “कच्चे रिश्ते पार्ट 2” से शिला जाधव ने अपने अभिनय सफ़र की शुरुआत की है। इस सीरीज़ का निर्देशन बी.एस. अली ने किया है, जबकि इसमें बॉलीवुड के अनुभवी अभिनेता रमेश गोयल भी अहम भूमिका निभा रहे हैं।
फ्रेशर होते हुए भी शिला जाधव ने कैमरे के सामने जिस सहजता और सच्चाई से अपने किरदार को जिया है, वह कहानी को और भी असरदार बना देती है।ग्रीन वर्ल्ड मीडिया प्रोडक्शन द्वारा निर्मित इस वेब सीरीज़ की शूटिंग मुंबई में पूरी हो चुकी है और इसे जल्द ही दर्शकों के सामने लाया जाएगा। “कच्चे रिश्ते पार्ट 2” रिश्तों की उन सच्चाइयों को सामने लाती है, जिन पर अक्सर बात नहीं होती।शिला जाधव कहती हैं,
“मैंने कभी नहीं सोचा था कि इस उम्र में अभिनय सीखूँगी और कैमरे के सामने खड़ी होऊँगी। यह मेरे लिए सिर्फ़ एक रोल नहीं, बल्कि एक नई शुरुआत है।”
“कच्चे रिश्ते पार्ट 2” सिर्फ़ एक वेब सीरीज़ नहीं, बल्कि उन सभी लोगों के लिए प्रेरणा है, जो यह मान बैठे हैं कि उनके सपनों की एक्सपायरी डेट खत्म हो चुकी है।
“Age Is Just A Number” — 49 साल की उम्र में शिला जाधव ने सीखा अभिनय, “कच्चे रिश्ते पार्ट 2” से शुरू की नई उड़ान
DPIIT Withdraws Public Notice On Music Licensing For Weddings
The Department for Promotion of Industry and Internal Trade (DPIIT) has withdrawn its earlier public notice dated 24 July 2023, which had exempted weddings and related functions from paying music licensing fees. The withdrawal comes in light of ongoing appeals concerning music copyright rights in the case of Novex Communications Pvt. Ltd. vs. Union of India, currently pending before the Punjab & Haryana High Court.
With the old notice now withdrawn, the copyright enforcement rights of Novex Communications stand reaffirmed. This means that all marriage-related ceremonies and celebrations — including sangeet, receptions, DJ nights, and cocktail parties — once again require a valid music license from the copyright holder, Novex Communications.
Event venues, planners, organizers, and families hosting such functions must therefore obtain the appropriate Novex Copyright License for any musical event involving sound recordings. Failure to comply may lead to infringement actions, including injunctions, financial damages, or even criminal liability.
Novex Communications is the exclusive licensing body authorized by several major Indian and Bollywood music labels, representing nearly 75% of India’s leading entertainment music catalogue. Their partners include Saregama/HMV, Yash Raj Music, Zee Music, Tips, Shemaroo, Red Ribbon, among others.
DPIIT Withdraws Public Notice On Music Licensing For Weddings
सिर्फ़ 6 साल के मोहम्मद अशर ने ग्रीन वर्ल्ड मीडिया प्रोडक्शन की हिंदी वेब सीरीज “कच्चे रिश्ते पार्ट 2” में मुख्य भूमिका निभाई
मुम्बई. प्रतिभा उम्र की मोहताज नहीं होती है. इसका ताजा उदाहरण है मात्र 6 साल के मोहम्मद अशर जिन्होंने निर्देशक बी एस अली की हिंदी वेब सीरीज “कच्चे रिश्ते पार्ट 2” में मुख्य भूमिका निभाई है. दिग्गज ऐक्टर रमेश गोयल ने भी इस वेब सीरीज में काम किया है और वह मोहम्मद अशर के दादा की भूमिका में नजर आएंगे. ठाणे के रहने वाले चाइल्ड ऐक्टर ने ग्रीन वर्ल्ड मीडिया प्रोडक्शन की हिंदी सीरीज मे मेन लीड किया है जिनकी शूटिंग हो गई है. जल्द ही इसे रिलीज किया जाएगा.
अल्ताफ अहमद और हुदा रहमान के पुत्र मोहम्मद अशर को डांस और गायकी का शौक है.
निर्माता निर्देशक बी एस अली द्वारा नए कलाकारों को मौका दिया जा रहा है और उन्हें अभिनय की ट्रेनिंग भी दी जाती है. उनकी ही खोज हैं मोहम्मद अशर जो अपने प्रोजेक्ट को लेकर उत्साहित हैं.
बी एस अली ने कहा कि इस वेब सीरीज की शूटिंग मुंबई में पूरी हो गई है. सीरीज की कहानी दर्शको को बांध कर रखेगी और उन्हें भरपूर मनोरंजन प्रदान करेगी।
मोहम्मद अशर ने निर्देशक बीएस अली की प्रशंसा की और उनका शुक्रिया अदा किया है।
सिर्फ़ 6 साल के मोहम्मद अशर ने ग्रीन वर्ल्ड मीडिया प्रोडक्शन की हिंदी वेब सीरीज “कच्चे रिश्ते पार्ट 2” में मुख्य भूमिका निभाई
सिर्फ़ 11 साल की रिद्धि मंगेश पाटिल ने ग्रीन वर्ल्ड मीडिया प्रोडक्शन की हिंदी वेब सीरीज “कच्चे रिश्ते पार्ट 2” में रमेश गोयल के साथ किया अभिनय
मुम्बई. सिर्फ 11 साल की रिद्धि मंगेश पाटिल ने अपने अभिनय से सबको आश्चर्यजनक कर दिया है. उनकी प्रतिभा उम्र की मोहताज नहीं है. रिद्धि मंगेश पाटिल ने निर्देशक बी एस अली की हिंदी वेब सीरीज “कच्चे रिश्ते पार्ट 2” में महत्वपूर्ण भूमिका निभाई है. दिग्गज ऐक्टर रमेश गोयल ने भी इस वेब सीरीज में काम किया है और उन्होने रिद्धि मंगेश पाटिल की अदाकारी की प्रशंसा की है.
भिवंडी ठाणे की रहने वाली चाइल्ड एक्ट्रेस ने ग्रीन वर्ल्ड मीडिया प्रोडक्शन की हिंदी सीरीज मे बहुत अच्छा रोल किया है जिनकी शूटिंग हो गई है. जल्द ही इसे रिलीज किया जाएगा.
शौक अभिनय, खेल
मंगेश कमलाकर पाटिल और मोना मंगेश पाटिल की पुत्री रिद्धि मंगेश पाटिल को अभिनय और खेल का शौक है. उन्हें मराठी, हिंदी, अंग्रेजी भाषाएं आती है. उनके पिता एस्टेट एजेंट हैं जबकि माता ब्यूटीशियन हैं.
प्रोड्यूसर डायरेक्टर बी एस अली द्वारा नए कलाकारों को अवसर दिया जा रहा है और उन्हें अभिनय की ट्रेनिंग भी दी जाती है. उनकी ही खोज हैं रिद्धि मंगेश पाटिल जो अपने प्रोजेक्ट को लेकर एक्साइटेड हैं.
बी एस अली ने बताया कि इस वेब सीरीज की शूटिंग मुंबई में कम्प्लीट हो गई है. सीरीज की स्टोरी दर्शको को पसंद आएगी और उन्हें भरपूर एंटरटेनमेंट प्रदान करेगी।रिद्धि मंगेश पाटिल बहुत अच्छी अभिनेत्री हैं. इस आयु मे भी उनकी प्रतिभा अद्भुत है.
रिद्धि मंगेश पाटिल ने निर्देशक बीएस अली की तारीफ की और उनको धन्यवाद दिया है।
सिर्फ़ 11 साल की रिद्धि मंगेश पाटिल ने ग्रीन वर्ल्ड मीडिया प्रोडक्शन की हिंदी वेब सीरीज “कच्चे रिश्ते पार्ट 2” में रमेश गोयल के साथ किया अभिनय
दीपक सारस्वत: समाज सेवा की मिसाल, फिल्मों के साथ-साथ संवार रहे हैं जरूरतमंदों की तकदीर
मनोरंजन जगत की चकाचौंध से दूर, फिल्म निर्माता और समाजसेवी दीपक सारस्वत ने समाज सेवा के क्षेत्र में एक ऐसी लकीर खींच दी है, जो लाखों युवाओं के लिए प्रेरणा बन गई है। दीपक सारस्वत केवल फिल्मों के निर्माता ही नहीं हैं, बल्कि वे उन ‘उम्मीदों के निर्माता’ भी हैं जो समाज के अंतिम पायदान पर खड़े व्यक्ति को बेहतर जीवन का सपना दिखाते हैं।
7 साल, एक संकल्प और अटूट सेवा भाव
पिछले 7 वर्षों से दीपक सारस्वत ने अपने जन्मदिन को व्यक्तिगत जश्न के बजाय ‘परोपकार का उत्सव’ बना दिया है। हर साल लाखों रुपये की मदद और निरंतर जमीनी सेवा के माध्यम से उन्होंने हजारों चेहरों पर मुस्कान बिखेरी है।
पिछले 5 वर्षों का सेवा रिकॉर्ड: एक नज़र में
दीपक सारस्वत के सेवा कार्यों का सफर हर साल नए आयाम स्थापित कर रहा है।
पिछले 5 वर्षों का उनका रिकॉर्ड उनकी संवेदनशीलता को दर्शाता है:
* 2021 – भीषण ठंड के बीच 500 बेसहारा लोगों को कपड़े और कंबल वितरित कर राहत पहुंचाई।
* 2022 – एड्स पीड़ित मासूम बच्चों को अपनी बहन मानकर उनकी सेवा की और समाज को संवेदनशीलता का संदेश दिया।
* 2023 – जन्मदिन को ‘जन्म सप्ताह’ के रूप में मनाया और 7 दिनों के भीतर जरूरतमंदों को ₹1 लाख की आर्थिक मदद दी।
* 2024 – पूरा सप्ताह सड़क किनारे रहने वाले लोगों के बीच बिताया, उन्हें मिठाई, कपड़े और कंबल वितरित किए।
* 2025 – इस वर्ष गाजियाबाद स्थित वृद्धाश्रम में बुजुर्गों की सेवा, उनके साथ समय बिताकर और बड़े स्तर पर अनुदान देकर अपना जन्मदिन समर्पित किया।
गरीबों की बुलंद आवाज
दीपक सारस्वत का मानना है कि ईश्वर ने हमें जो कुछ भी दिया है, उसका एक अंश समाज के उन लोगों के पास जाना चाहिए जिन्हें उसकी सबसे ज्यादा जरूरत है। इसी सोच के कारण आज वे गरीबों और जरूरतमंदों की सबसे मजबूत आवाज बनकर उभरे हैं।
प्रेरणा का स्रोत बना व्यक्तित्व
सिनेमा की दुनिया में सक्रिय रहते हुए भी दीपक ने कभी अपनी जड़ों को नहीं भुलाया। उनके इस निरंतर प्रयास ने न केवल गाजियाबाद बल्कि पूरे क्षेत्र के लोगों को प्रेरित किया है। उनके जन्मदिन पर होने वाले ये सेवा कार्य अब एक जन-आंदोलन का रूप ले चुके हैं।
”दीपक सारस्वत का यह निस्वार्थ सेवा भाव यह सिखाता है कि उत्सव का असली आनंद दूसरों के दुख दूर करने में ही निहित है।”
दीपक सारस्वत: समाज सेवा की मिसाल, फिल्मों के साथ-साथ संवार रहे हैं जरूरतमंदों की तकदीर
कटनी के निर्माता विकास शर्मा का पूरा हुआ ख्वाब मल्टीप्लेक्स में छा गया है “अपना अमिताभ”
कटनी (मध्यप्रदेश) के विकास शर्मा की बहुप्रतीक्षित इच्छा पूर्ण हो गई है। अपने गृह नगर से मायानगरी मुंबई तक आने का उनका सफर सफल रहा है और देखा सोचा बुना हुआ सपना साकार हो गया है। आज की तिथि में एक सफल उदीयमान फिल्म प्रोड्यूसर की सूची में विकास शर्मा का नाम शुमार हो गया है। शर्मा के प्रोडक्शन हाउस क्लासिक एंटरटेनमेंट के बैनर तले बनी पहली फिल्म “अपना अमिताभ” इस १२ दिसम्बर, २०२५ से सिनेमाघरों में प्रदर्शित है। इस सोशल ड्रामा के लेखक एवं निर्देशक अजय आनंद हैं। फिल्म गांव के किशोरों के जीवन संघर्ष पर आधारित है। एक सफाईकर्मी का लड़का किस तरह पास पड़ोस के लोगों के ताने विरोध को सीने से लगाए अपनी स्थिति सुदृढ़ करता है, इसे एक ग्रामीण पृष्ठभूमि में रखते हुए बड़े सलीके से दिखाया गया है। एक दिन वही लड़का उनका प्रेरणास्रोत बनता है, यह कहानी का मुख्य बिन्दु है। अजय आनंद के सुलझे निर्देशन में चित्रित “अपना अमिताभ” देखने लायक है। फिल्म गांवों में व्याप्त जाति प्रथा और ऊॅंच नीच जैसी कुव्यवस्था पर चोट करती है।
फिल्मों का शौकीन विजय इस फिल्म का नायक है। वह अमिताभ बच्चन का बहुत बड़ा फैन है। उसकी दिनचर्या की शुरुआत ही अमिताभ बच्चन की फिल्मी स्टाइल से शुरु होती है। उठना बैठना, चलना फिरना सब अमिताभ शैली में होने लगता है। उसकी यह चपलता ग्रामीणों को खलती है। उसे तरह तरह की बातें सुनने को मिलती हैं। विजय इस उलाहना को हथियार बना लेता है। फिर जो होता है उसके लिए थियेटर पहुंचें और देखें “अपना अमिताभ”।
“अपना अमिताभ” के मुख्य कलाकार हैं : विजय रावल, अंजलि मिश्रा, जय ठक्कर, हेमंत महाउर, मुकेश भट, बच्चन पचेरा, शरत सोनू, सुरुचि वर्मा, हनुमान गुदसा, जीतेन्द्र सिंह, अमित घोष, शिल्पी कुकराती, विनय अम्बष्ट, ज्योत सिंह और अनुपम श्याम। को- प्रोड्यूसर रमेश शर्मा, एडिटर चैतन्य वी. तन्ना, सिनेमैटोग्राफर शम्भु शर्मा, बैकग्राउंड स्कोर भूपेश शर्मा और संगीत निर्देशन राजेश झा का है। अभी कटनी के विकास शर्मा और मुंबई के अजय आनंद “अपना अमिताभ” के निर्माता व निर्देशक के रूप में चर्चा में हैं।
——- उमेश सिंह चंदेल
कटनी के निर्माता विकास शर्मा का पूरा हुआ ख्वाब मल्टीप्लेक्स में छा गया है “अपना अमिताभ”
Anand Pandey Industrialist–Philanthropist Creates History An Inspiring Journey From Zero To Zenith
From Kunda–Pratapgarh to Mumbai — a journey that inspires the nation
Pratapgarh / Mumbai. : Industrialist and philanthropist Anand Pandey, born in Paranoopur village of Kunda in Uttar Pradesh, recently rose to the national spotlight. The grand Ramkatha Mahotsav held in Pratapgarh from 10 October to 19 October created a chapter in history that will be remembered not only in Pratapgarh but across the state.
The sacred presence of renowned storyteller Rajan Ji Maharaj and the gathering of lakhs of devotees turned Pratapgarh into a place of divine celebration.
For the first time, flowers were showered from a helicopter at the Ramkatha venue, creating an unforgettable atmosphere of devotion, emotion, and spiritual energy. Anand Pandey, the driving force behind the event, remained the central figure of attention throughout the ten-day celebration.
With his humble nature, polite speech, and spiritual inclination, Anand Pandey proved that honesty and determination can take a person to any height.
From a ₹7,000 job in Mumbai to becoming a business tycoon
Anand Pandey’s journey is a remarkable blend of struggle, faith, and success.
In 2011–12, he reached Mumbai in search of employment and began his life with a monthly salary of only ₹7,000–₹8,000.
Within a few years, a dream began to take shape —
“Build your own business, create your own company… and uplift others along the way.”
With this vision, he laid the foundation of his own enterprise in 2018–19. Backed by integrity, hard work, and strong family values, Anand Pandey built a business empire that today stands as an inspiration in both industry and social service.
Away from politics — committed to service
Many assumed that Anand Pandey might enter politics in the future, but he clearly denied such possibilities. His belief is —
“Serving humanity is serving God.”
Today, he is deeply involved in social initiatives such as marriages of underprivileged girls, educational assistance, medical support for the needy, and community welfare activities.
From poverty to the peak of success
Anand’s life represents the true spirit of struggle.
His father once worked as a security guard and drove an auto-rickshaw. Anand himself prepared for police recruitment exams before destiny redirected his path to Mumbai.
Blessings from his parents, commitment to work, simplicity, and truthfulness transformed his life.
Today, Anand Pandey stands as a role model for youth. From Kunda to Mumbai — his name is identified with perseverance, effort, and achievement.
Message to the youth
“No work is small. Hard work and honesty can take you from zero to the top.”
A confluence of faith, service, and success
Anand Pandey is among the rare individuals who prioritized social contribution along with financial growth.
The Ramkatha Mahotsav he organized will remain a milestone in the history of Pratapgarh — an example of devotion, vision, and remarkable management.
Not only Pratapgarh, but all of Uttar Pradesh and the business community of Mumbai view his journey as a story of extraordinary success and the triumph of human values.
Anand Pandey Industrialist–Philanthropist Creates History An Inspiring Journey From Zero To Zenith
