THREE more than just a number – THRAYAM curated and conceptualised by Kalashri Dr Lata Surendra

Dance when presented as an experience is amazing in its ability to draw the viewer through the power of intention and suggestion to  define a theme and bring it to life.   When presented with depth, classical dance becomes the umbilical cord which connects us,  not only  with our inner selves but also the world for which dance should transform to a one to one experience .

The unique festival Thrayam at the NCPA Mumbai, on July2’2022 was an other worldly  experience for all who witnessed t ar the Experimental Theatre.  The  housefull theatre applauded abd  cheered the imaginative  Curator  Kalashri Dr Lata Surendra as she stepped onto the stage to reach out with highlighting   the romance if the number three through seasoned and exemplary artists.

The anticipation of the crowd was obvious  as they listened intently to   her  introduction to an Ode unto the poetry of  Three,  through the bridging metaphor – Dance!  She awakened people to the Tri- particle nature of  all existence as heaven, earth, water and in the human as body, spirit and soul . The two hours that followed was a journey into the very  pulse of three .

Legendary Guru Smt   Vyjayanthi Kashi,  the  reputed kuchipudi exponen and a  celebrated performer and choreographer; the artistic director of a dance school Shambhavi School of Dance ,  explored three through  Triguna . Three attributes of Sathva ,rajasik and tamas  through the mystery that is the woman  .- Sharmishte

Who is she ?  She raised  questions  to explore with purposive intent,   endorsing her  years of experience  steering the way for the   conclusions- “Wise is she who is Sattvik or ,petty is she as Tamasik   or rich  as in, Rajasik”.

There is always an element of spirituality and philosophy that seeps through each production of this consummate artist  that has her dancibg to  express more than  mpress Smt Jhelum Paranjape  renowned Odissi Exponent, Mentor, Choreographer  and founder of Smitalay  presented the flow of  the number three through the   three identities of Narmada.

Narmada the Goddess

Narmada the Mother

Narmada the  River

An artist with a unique vision  and a signature style that  etched Odissi in every movement ,  she  reached out with the eloquence of   three varied aspects of river Narmada.  Jhelum ‘s  independent thought process was reflected in her moving away from the traditional attire  of Odissi  to a unique and  more contemporary  aharya  in white  that gathered the kinesthetics of   her chosen style  beautifully endorsing that the sattvika soars beyond the tangible and visible. In fact  not once  did it  come in the  way of her   exploring of Thrayam.

Kalashri Lata Surendra, who is a  renowned, Bharata Natyam Exponent, Mentor, Choreographer, researcher, writer and also the  Curator &  Produce r o Thrayam   explored three with two pieces   choreographed and conceptualised by herself .  She commenced  with an   exploring of Vasuki -the snake coiled three times around the neck of Lord  Shiva representibg  the three forms of time — past, present and future — that we transit  through. An   Intricately choreographed piece set to Thisra Jathi Dhruva Thalam in 11 aksharas  ,she dedicated it to her Mentor,  the legendary Vidwan Kalaimamani Guru Shri T S Kadirvelu Pillai  in  order to commemorate her six decades of performing career , since her debut in  1962  .   She alsi  defined   the number three – through the effulgent form of Tribhangi Krishna, highlightibg  the truth of Radhamayi Krishna ,  as  kridhna  leaves Vrindavan  to reach out to the true purpose of his Incarnation . The synergy of  Technique  and emotion ; rhythm and bhava flowed through her  vibrant form ,  holding the audience spell bound . Be it the  impact of her feet echoing all around  executing the  dhruva thalam in Thisram  to drape  Vasuki in the symbolically structured  Alarippu  or  l her  heart wrenching portrayal of krishnathmika  Radha   transforming to Trubhangi Krishna,  , technique and emotion merged as a visual poetry  flowing through her  as she  awakened to the true purpose of Krishna’s incarnation  , choking  the hearts of all present .

An imaginative choreographer and an exemplary  Kathak Exponent and Teacher Sanjukta Wagh  explored  Kaali –  the great mother who is an embodiment of time itself her magnificience, her ferocity and her deep love and compassion for all beings Inspired by her grand Guru Madhurita Sarang,, the song was a traditional kathak piece by Mahavirji  rearranged choreographed by Sanjukta Wagh herself  with her  fellow musicians Hitesh Dhutia on the guitars, Vinayak Netke on percussions and Radhika Sood Nayak on Vocals.  Priya Sarukkai Chhabria s  evocative poem on the mother goddess and her symbolism tied up the soul connect and the relationship between the divine and blessed, the poet and muse, the artist and the audience.

An absolutely consummate artist with a vision she truly transformed to the dark energy, the passion, the raw feminine who  was as merciless as merciful.

The absorbing pathways unfolding ,  soon  gathered its climax in the imaginative choreography  of Smt Manisha Jeet   that  defined the journey of the genderless  intangible through three genders.

“सा, तत्,सः The team headed by  Smt Manisha Jeet,   enthralled the audience with the magic of सा-Stree, तत्- Shikhandi & सः- Kal bhairav.  The energised execution of the artists  with beautifully co-ordinated movements   and uttered  vachika  defined the finale with aplomb.  The true climax however was when the spontaneous curator Lata Surendra had all the audience clap to thisra in three layas and changing gatis  as a tribute  to Three.

What a great evening gathering the poetry of the number three,  through the   three elements of Nritta, Nritya and Natya.

In the words of  the curator of  the show  Kalashri Smt Lata Surendra: : ” Post witnessing Thrayam  ,  the number  ‘Three’  would have  transformed to more than a number!  In the tri- particle nature of the universe three would  reign as the perfect number gathering the pulse of the universe through each of its symbolic definitions in the sacred symmetry  that embodies all life  She thanked her sponsors the Union Bank of India and Mahindra Finance fir their support in reaching out with the divinity of three.

Classical colouring of  Three – THRAYAM at NCPA , Experimental Theatre,Mumbai  curated by  Kalashri Dr Lata Surendra

Meet Ankur Chandrakant a person who consistently advances in the age of intelligence and consistently rates his abilities at the highest possible level

Since technology is regarded as the foundation of any business, it is present everywhere in the world as it expands day by day. Ankur Chandrakant is a well-known name in today’s generation who has taught people how to become more optimistic in life. Today, there are many people working for technology and the back hands. Ankur has over ten years of thriving experience and is a professional in both cyber forensics and cyber intelligence.

Born in 11 December 1987, Ankur Chandrakant is a person who constantly strives to achieve goals that are not related to laborious effort but rather to intelligence. He has believed since he was a young child that intelligence is more significant than hard effort. And as of right now, he works with several portals, giving them the best inspiration.

He has received numerous certificates and accolades up to this point. He pioneered several of the job opportunities and is currently a FOUNDER of the eProtect Foundation. After earning his BTech, he always aspires to do something extraordinary with his life, and by extraordinary, he does not only mean achieving fame and notoriety but also developing his virtual abilities and making the world a better place for him and his career prospects. Additionally, he received approval from a number of his dream employers, including Google. But he wants to take action on his own, so he keeps moving forward and never turns around while keeping this idea in mind.

He held positions at Google and Microsoft as a cyber forensic investigator and technical analyst, respectively. Through his company E-protect, he has also worked in the area of women’s and children’s welfare. Who are creativity and innovation? He has had more than a thousand women for free, and he wants to create a country where women also have a free role. VCLAP DIGITAL, LEARNING SOLUTIONS EDUFLUX360 and CYBER RADIX are some his educational startups that are touching the heights of sky. He has a strong belief in two concepts: innovation and creativity. For him, these concepts represent not just a word but also the future of his career. His innovations and ascent to the heights of the sky are only around the corner.

 

Meet Ankur Chandrakant, a person who consistently advances in the age of intelligence and consistently rates his abilities at the highest possible level.

Harnoor Chandi takes over the hip-hop scene in India with his euphonic sound and vibe

As a singer and musical artist, he blends in his passion for music with his innate musical skills and unique music sense.

A lot has already been spoken about how a few driven professionals have walked their path to success with courage and grace. Still, it feels like much more discussions are needed around them for the world to know their genius as most of them belong to the younger brigade and showcase what they truly possess to take over their chosen industries. The music industry across the globe has always welcomed talented beings with open arms, and many out of them have even gone ahead in winning hearts and creating a unique standing for themselves in the ever-so-growing sector. Harnoor Chandi has been doing exactly that and much beyond to connect deeply with his listeners and, most importantly, create a special place for his music in their hearts.

Harnoor Chandi may seem just like any other youngster from the neighborhood, but he is definitely much beyond being just that, thanks to his incessant hard work and consistency in coming up with singles that exude distinctiveness yet, which radiates his unique vibe in each one of them. The 19-year-old hails from Anupgarh, Rajasthan, India, and moved to Mumbai to build a robust career for himself as a singer and musical artist. It won’t be wrong to say that he is already creating a name for himself in the industry through his euphonic sound and vibe.

Coming to Mumbai, he came with a dream in his eyes, he confesses. He knew there would be several hurdles that might come in between in his quest to reach his desired success, but he was prepared to fight them and learn something new each day to turn into a refined talent in the industry. Each of his songs like SKY, Rifle, Bad Roads, Cancelled, King Man, Jatt Hood – Instrumental version, Gng Hood – Instrumental version, and Always Vibing – Instrumental version, available on Spotify https://open.spotify.com/artist/5bjGvIQbpZf2ALeM3wHVand many other streaming sites have helped him step up in the hip-hop and rap genre, earning massive streams and listeners.

Harnoor Chandi (@Harnoor_chandi_) wants to now create many more incredible singles and make people feel more in love with his discography.

Harnoor Chandi takes over the hip-hop scene in India with his euphonic sound and vibe

मिसेज कृष्णा सैनानी और निर्देशक भरत श्रीपत सुनंदा की आंख खोलने वाली फिल्म “फ्यूचर फाइट” दुनिया भर के फेस्टिवल्स में

प्लास्टिक के दुष्प्रभाव और दुनिया मे पानी की किल्लत के ज्वलंत मुद्दे पर बनी है फ़िल्म

पर्यावरण और ग्लोबल वार्मिंग पर काफी डॉक्यूमेंट्री फिल्मे बनी हैं। मगर लेखक ओर निर्देशक भरत श्रीपत सुनंदा ने इस गंभीर विषय पर काफी कमर्शियल और प्रभावी शार्ट फ़िल्म फ्यूचर फाइट बनाई है। उनका कहना है कि हम फ्यूचर के लिए लड़ाई कर रहे हैं। इंसान ने दुनिया के लिए प्लास्टिक नाम का बहुत बड़ा जहर बनाया है। उसके अधिकतर इस्तेमाल से पीने का पानी खत्म होता जा रहा है। वैज्ञानिकों के अनुसार समुंदर से पानी आकाश की ओर नहीं जा पा रहा है क्योंकि प्लास्टिक की परतें नीचे धँसती जा रही हैं। इसलिए बारिश अब कम होती है। हम 5जी और 8जी जैसी नई तकनीकों का इंतजार कर रहे हैं, मगर उधर बुनियादी चीज पानी दुनिया से खत्म होता जा रहा है। आप यकीन करेंगे कि आज पूरी दुनिया मे पीने लायक पानी सिर्फ 2.5 प्रतिशत है।

यूएई में दुबई के फ्यूचर म्यूज़ियम में जब ये फ़िल्म पेश की गई तो वहां के शेख हैरान रह गए और कहा कि हम यहां भविष्य की योजनाएं बना रहे हैं और यह सोचा ही नहीं, कि दुनिया मे इतना सीरियस ईशु चल रहा है, और दुनिया खात्मे के कगार पर है।

लेखक ओर निर्देशक भरत श्रीपत सुनंदा का कहना है कि इस डॉक्यूमेंट्री फ़िल्म को दर्शकों की बड़ी संख्या तक पहुंचाने के लिए हमने कनाडा की ऎक्ट्रेस घडा लाजमी को कास्ट किया, जाने माने एक्टर रवि भाटिया को लिया, और इसे एक फीचर फिल्म की तरह फ़िल्माया। इस फ़िल्म में हमने दिखाया है कि पानी के लिए लोग लड़ रहे हैं, एक दूसरे को पानी के लिए मारने तक पर उतर गए हैं।

दुबई में बारिश नहीं होती, आर्टिफिशियल बारिश एक बार कराने का खर्च 100 बिलियन डॉलर होता है। अगर हमने अभी प्लास्टिक का इस्तेमाल पूरी तरह बंद नहीं किया तो 2050 तक पीने का एक लीटर पानी 870 रुपए का मिलेगा। दुनिया से खारा पानी भी खत्म होता जा रहा है। 2065 में आसमान से हमारी दुनिया ग्रे कलर की नजर आएगी।

लॉक डाउन के दौरान यह फ़िल्म बनाई गई थी।बेहतरीन एक्टर्स के साथ उम्दा कैमरे से फिल्माई गई फ़िल्म का पोस्ट प्रोडक्शन बेहतर ढंग से करवाया गया है। 12 मिनट की फ़िल्म के क्लाइमेक्स में एक प्रभावी मैसेज दिया गया है। इसे कान्स फ़िल्म फेस्टिवल, स्कॉटलैंड, कोलंबिया के फेस्टिवल्स में दिखाया जाएगा। ऐसे देशों में भी इसकी स्क्रीनिंग होगी जहां लोगों ने पानी के लिए काफी संघर्ष किया है, सहन किया है।

फ़िल्म के डायरेक्टर कहते हैं कि हर साल 11 अरब पेड़ काटे जा रहे हैं, इसका नतीजा क्या होगा। यह एक कमर्शियल फ़िल्म है, जिसका लुक और फील किसी हॉलीवुड मूवी की तरह का है। इसकी प्रोड्यूसर मिसेज कृष्णा सैनानी का बड़ा प्रोफ़ाइल है, एक रिटायर्ड लेडी हैं। लोगों में पानी व पेड़ को बचाने, प्लास्टिक के इस्तेमाल न करने के लिए जागरूकता फैलाने के उद्देश्य से यह फ़िल्म बनाई है। प्लास्टिक बंद नहीं किया गया तो 2065 तक आधी दुनिया तबाह हो जाएगी, ये कोरोना तो बस शुरुआत है, आप समझ लें। हमारी रोग प्रतिरोधक शक्ति खत्म होती जा रही है। आज इंसान की उम्र कम होते होते 55-60 तक आ गई है।

इस फिल्म को सिर्फ हिंदुस्तान मे नही सारी दुनिया मे पेश किया जा रहा है, इस फिल्म से ऐसे देश काफी इन्स्पायर हो रहे है जो आज ये सच्चाई देख सकते है। दुनिया भर के 60 देशो मे इस फिल्म को पेश करने का टारगेट निर्माता निर्देशक ने तय किया है। इस फिल्म की निर्मात्री श्रीमती कृष्णा सैनानी हैं, जो भारत हेवी इलेक्ट्रिकल लिमिटेड मुम्बई की सीनियर एग्जेक्युटिव मार्केटिंग रह चुकी हैं। वहीं फ़िल्म के निर्देशक भरत श्रीपत सुनंदा को दादा साहेब फाल्के गोल्डन कॅमेरा अवार्ड 2020 से नवाजा जा चुका है। इनकी सूझबूझ और देश के लिये कुछ करने का जुनून व जज़्बा इस फिल्म के द्वारा दिखाई देता है। इन्होने इस फिल्म को सारी दुनिया के सामने रखने का प्रयास किया है। इस फिल्म के कलाकारों में रवि भाटिया,  रंजीत शशिकांत, अभिनेत्री घडा लाजमी का नाम उल्लेखनीय है, साथ ही बाल कलाकार पार्श्व नंदा ने भी काफी बेहतर काम किया है। यह फ़िल्म लोगों को सोचने पर मजबूर करने वाली है। इस फिल्म को त्रिशूल फिल्म कंपनी और प्रकाश सर्जेराव सदावर्ते ने प्रेजेंट किया है। दीप्ती बनसोडे इस फिल्म की को- प्रोड्यूसर हैं।

मिसेज कृष्णा सैनानी और निर्देशक भरत श्रीपत सुनंदा की आंख खोलने वाली फिल्म “फ्यूचर फाइट” दुनिया भर के फेस्टिवल्स में

Gurpreet Ghura To Enter in Hollywood

Renowned Celebrity Bollywood Make-up-Artist from Mumbai , India recently shifted to United States.

The little birdie had informed us..after The wedding show of Netflix,

something’ big have landed in her kitty.

Lemme introduce you to Gurpreet Ghura.

The Name behind the beauty of stars.

She has recently being featured on Netflix as A celebrity Wedding Make-up-Artist..

Also the In-house Make-up-Artist for Hritik roshans family for 3 years now ..

She has done Make-up for top actresses like Zeenat Aman  , Neelima Azmi , sridevi, zarine khan, Daisy shah, Isha kophikar, Shahid wife Mira Rajput .

Varun dhawan wife Natasha Dalal etc ..

Also has done Make-up up for top designers Manish Malhotra , Rohit varma , falguni peacock , Masaba  etc ..

Also top socialites in Mumbai …

Also became famous for Rakhi sawants wedding Make-up …

She has got many awards around 31 so far and too awards from zeenat Aman and Shahnaaz Hussain  …

Will be updating soon what exactly is cooking up also follow her insta handle for more updates.

https://instagram.com/gurpreet_ghura/

Gurpreet Ghura To Enter in Hollywood